郝兰兰 从李安电影《喜宴》中看中西方文化的冲突与融合.docxVIP

福州大学本科生毕业论文 PAGE 18 PAGE 15 Contents Chinese TOC \o "1-2" \h \u Abstract 2 English Abstract 3 1. Introduction 4 1.1 About the Movie 4 1.2 Literature Review 5 2. The Conflicts between Chinese and Western Cultures in Films 6 2.1 The Conflict of Marriage Views 6 2.2 The Conflict of Family Ethics 8 2.3 The Conflict between Father and Son 10 3. The Integration of Chinese and Western Cultures in Films 11 3.1 The Integration of Marriage Views 11 3.2 The?Integration of Family Ethics 12 3.3 The Compromise between Father and Son 13 4. Conclusion 13 References 15 从李安电影《喜宴》中看中西方文化的冲突与融合 摘 要 在文化全球化的进程中，中西文化的碰撞与冲突不可避免。本文选择李安导演的电影《喜宴》作为研究中西方文化冲突的切入点。《喜宴》讲述了在美国定居的台湾人高伟同为了向父母掩盖自己是同性恋者的真相，在父母对自己婚姻问题的催促下，与自己的女租客——非法移民的女画家结婚的故事。本文通过对影片细节的讨论，分析了中西两种文化的冲突与融合。第一章是对电影的相关介绍；第二章从文化冲突的角度对电影中中西文化中的婚姻观，家庭伦理，父亲的形象三个方面进行解析；第三章是从文化融合的角度讨论和分析以上三个方面；最后一章是对全文的总结。 通过分析《喜宴》中展现出的文化冲突与融合，寻找文化冲突的原因，找到文化融合的方法，从而使我们了解并包容不同民族，理解中西文化和生活习惯的差异，在产生文化冲突时及时找到合理的方法去解决。 关键词：《喜宴》； 文化冲突； 文化融合 Viewing the Conflict and Integration of Chinese and Western Cultures from Ang Lee’s “The Wedding Banquet” Abstract In the process of cultural globalization, collision and conflict between Chinese and Western cultures are inevitable. This paper chooses Ang Lee’s film “The Wedding Banquet” to study the conflict between Chinese and Western cultures. “The Wedding Banquet” recounted that Gao Weitong, a Taiwanese who has settled down in the United States, marries his female tenant, an illegal immigrant painter, in order to hide his homosexuality from his parents and to solve his parents’ urging on his marriage problems. This paper analyzes the conflict and integration of two cultures through examining details in the film. The first chapter is an introduction to the film. The second chapter analyzes three aspects of marriage view, family ethics, and father’s image from the perspective of cultural conflicts. The third chapter discusses and analyzes the above three aspects from the