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. Volume 14, Issue 2 November 2017

Hecklevision, barrage cinema and bullet

screens: An intercultural analysis

Tessa Dwyer,

Monash University, Melbourne, Australia

Abstract:

Drawing on interviews with Hecklevision programmers and the founder of software

company MuVChat, this article outlines three related ‘live commenting’ phenomena that

cross diverse cultural contexts: Hecklevision in the US; ‘barrage cinema’ in China and online

video ‘bullet screens’ (danmu/danmaku) in China and Japan. By comparing and contrasting

these text-on-screen modalities of engagement, I draw attention to underlying connections

around ‘bad’ behaviour and digital disruption while also noting some of the cultural

specificities and discursive frameworks at play. This intercultural analysis aims to uncover

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